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Author: Admin | 2025-04-27
The glittering, bored and disillusioned—the post–World War I “lost generation.” Fontane, Theodor. 1917. Trials and Tribulations. From the Harvard Classics Shelf of Fiction, Vol. XV, Part 4. Foster, Hannah Webster. 1855. The Coquette, or The History of Eliza Wharton. Gay, John. 1920. The Beggar’s Opera. Goethe, J. W. von. 1909–14. Faust. Part I. Goethe’s retelling of the classic Faust legend and the crowning achievement of his literary output. 1909–14. Egmont. Count Egmont leads an ultimately tragic rebellion against Spanish rule in The Netherlands. 1909–14. Hermann and Dorothea. This “novelette in verse” tells the story of a young girl who finds love after fleeing the chaos of the French Revolution. 1917. The Sorrows of Werther. From the Harvard Classics Shelf of Fiction, Vol. XV, Part 1. 1917. Wilhelm Meister’s Apprenticeship. From the Harvard Classics Shelf of Fiction, Vol. XIV. Goldsmith, Oliver. 1909–17. She Stoops to Conquer. Grimm, Jacob and Wilhelm. 1909–14. Household Tales. These 42 selections preserved the folklore of the German people and formed an inspiration to generations of storytellers. Hale, Edward Everett. 1917. The Man without a Country. From the Harvard Classics Shelf of Fiction, Vol. X, Part 6. Harte, Francis Bret. 1917. Three Stories. From the Harvard Classics Shelf of Fiction, Vol. X, Part 4. Hawthorne, Nathaniel. 1850. The Scarlet Letter. Hawthorne’s classic tragedy of love and morals in Puritan New England. 1917. The Scarlet Letter & Rappaccini’s Daughter. From the Harvard Classics Shelf of Fiction, Vol. X, Part 1. Hesiod, Homeric Hymns, Epic Cycle, Homerica. 1922. The
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