Comment
Author: Admin | 2025-04-28
Extends this dialogue, mapping past residences through imprints of doorknobs, switches, and other intimate details that dissolve the boundaries between past and present. Do Ho Suh’s exploration of space also extends beyond fabric architectures. His Rubbing/Loving series, including Company Housing of Gwangju Theater 2012 and Seoul Home 2013-22, captures the physical traces of lived spaces through paper and graphite imprints. Intricate thread drawings and delicate paper dissolutions, such as Staircase 2016, reinforce his interest in materiality and the fragility of memory. His practice also ventures into the digital realm. In Robin Hood Gardens 2018 and Dong In Apartments 2022, Suh employs photogrammetry to reconstruct buildings as evolving archives of human presence. The exhibition culminates in the Bridge Project, an ongoing exploration of the ‘perfect home’ that interrogates its sociopolitical and ecological dimensions.Do Ho Suh, Nest/s, 2024, polyester, stainless steel, 410.1 x 375.4 x 2148.7 cm | courtesy the artist and Lehmann Maupin New York, Seoul and London, image by Jeon Taeg Su © Do Ho SuhWalk the House exhibitionCo-curated by Nabila Abdel Nabi, Senior Curator, International Art (Hyundai Tate Research Centre: Transnational) and Dina Akhmadeeva, Assistant Curator, International Art, Tate Modern, Do Ho Suh: Walk the House is part of a wider collaboration between Tate and Genesis, marking the brand’s European expansion of Genesis Art Initiatives. The initiative supports institutions shaping cultural legacy worldwide, including The Genesis Facade Commission at The Met and this landmark exhibition at Tate Modern.‘We are honoured to embark on Genesis Art Initiatives in Europe through
Add Comment